The Gospel of chicanery

In one of his new gigs, Mark Steyn is writing book reviews for Macleans, the Canadian newsmagazine that is the equivalent of Time or Newsweek. The book reviews are not necessarily literary deconstructions of the various works; instead they discuss the larger cultural and political significance of the subject book. Today, Steyn takes on The Gospel of Judas and The Da Vinci Code. Excerpts:

It's a good rule in this line of work to respect a hit. But golly, The Da Vinci Code makes it hard. At the start of the book, Dan Brown pledges, "All descriptions of artwork, architecture, documents and secret rituals in this novel are accurate." It's everything else that's hokum, beginning with the title, whose false tinkle testifies to Brown's penchant for weirdly inauthentic historicity. Referring to "Leonardo da Vinci" as "da Vinci" is like listing Lawrence of Arabia in the phone book as "Of Arabia, Mr. L" . . .

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. . . Even in a largely post-Christian West, Jesus is still a hit brand but, like other long-running franchises, he's been reinvented. It's like one of those bizarro Superman/alternate universe specials the comic books like to do. Or maybe one of those sputtering soaps that take refuge in ever more bizarre storylines -- that season of Dallas where they wrote off the previous year's worth of shows as a bad dream of Pam Ewing's.

The latest Bizarro Christ bestseller is the so-called Gospel of Judas, lost for 1,600 years but apparently rediscovered 20 minutes ago, edited by various scholars and now published by the National Geographic Society in Washington. Evidently, National Geographic has fallen on hard times since the days when anthropological studies of remote tribes were a young man's only readily available source of pictures of naked women. So I hope this new wrinkle works out for them. Renowned betrayer Judas Iscariot, you'll recall, was the disciple who sold out Jesus. Only it turns out he didn't! He was in on the plot! The betrayal was all part of the plan! For, as the Gospel of Judas exclusively reveals, Christ came to him and said, "Rudolph, with your nose so bright . . ." No, wait, that's a later codex. Christ said to Judas that he "will exceed all" the other disciples because it had fallen to him to "sacrifice the man that clothes me."

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. . . [The Gospel of Judas is] a fourth-century Coptic text by some guy, but it's believed to be pretty close to the original second-century Greek text. Okay, Judas wasn't around in the second century, but the fellows who wrote his "Gospel" likely got it from a friend of a friend of a friend of his. As Dr. Simon Gathercole of the University of Aberdeen told my old pal Dalya Alberge in the London Times, the alleged Gospel of Judas "contains a number of religious themes which are completely alien to the first-century world of Jesus and Judas, but which did become popular later, in the second century AD. An analogy would be finding a speech claiming to be written by Queen Victoria, in which she talked about The Lord Of The Rings and her CD collection."

Read it all, it's paradigm Steyn.